Tattoo pigment OEM: What is the difference between milky and liquid tattoo pigments? Which one is better?
In practice, customers often ask the following questions: What color material do you use? How to answer that reflects the professionalism of the tattoo artist is the first step in the transaction.
Let’s talk about the shape of the colorant first. From the grinding process and the state of the colorant, it is generally divided into three types: liquid colorant, milky colorant, and paste colorant.
The most obvious difference between the liquid colorant and the milky colorant is that it is relatively thin, and the color is generally a single color rather than a harmonious color. Liquid colorants are suitable for machine operation and coloring large areas, such as lip and tattooing.
A good milky colorant has moderate viscosity, uniform toner particle size, and good cohesion after extrusion. Milky pigments are popular because they have a wider range of applications, and the speed of coloring and later effects are better than those of the earliest liquid pigments.
Milky pigments are the most widely used in machine-operated eyebrows and eyeliners, but they are not omnipotent. To operate eyebrows with manual pens, paste pigments with higher pigment density are needed to form effective coloring. In addition, when making lips, too viscous pigments have poor color retention effect on the lip mucosa.
The pigment particle density of the paste pigment is relatively high, but it does not mean that all paste pigments should be rough. The smoother and more delicate the surface of the paste-like pigment, the finer the production process, and the better the sensory and initial coloring effect.
The paste pigments for eyebrow embroidery and fluttering eyebrows are actually different. The meticulous pushing method of embroidering eyebrows determines that the particles of the paste pigment are slightly larger, but the quality of the toner is better; while the fast sliding method of fluttering eyebrows requires color The powder is finer and more oily. The tinting light sensitivity of the pigment and the color retention in the later period have a lot to do with the quality of the brand, but it is also closely related to the operator's needle movement technique and whether the operating tool is scientific or not. From a more rigorous point of view, when two or more types of colorants are used, the coloring guarantee factor will be greater.
How to identify high-quality pigments and inferior pigments?
The better the colorant, the purer the composition, the finer the grinding, the better the fineness and gloss of the toner itself, and the more accurate the color spectrum test, which will not produce large color difference. The poorer pigments have uneven particles after opening, poor light perception, and the viscosity will be very different when picked out with a toothpick or a needle.
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